Drifting Lands Review

Drifting Lands was almost one of the few games I’ve given up on before the end, and that’s really only because I ended up hitting a brick wall of difficulty that no possible skill loadout could help me past. See, this is a game that claims on its store page to be “first and foremost an action-RPG” with a Gradius-style 2D space shooter on top of that. I’m great at the former and terrible at the latter, so it stood to reason that my aRPG skills would suffice to reach the end of this game. Calling itself an aRPG first and foremost is incredibly misleading, however, because you absolutely need a certain amount of skill at bullet hell-style shooters to get past some of the insane difficulty spikes that unexpectedly crop up. One minute I was steamrolling my way through levels on the first try with a few boss-type exceptions that required a bit more effort, and then an annoying earlier boss was suddenly doubled up and the entire screen was awash in bullets that most of my paltry skills were helpless to do anything about. The few that helped had cooldown timers that ensured that I was stuck without them for the majority of the fight on each of my ~30-40 attempts, each preceded by the same 5-minute level. It was only when I opened up Cheat Engine and slowed down the game to 20% of its original speed that I was finally able to dodge enough to get through (and even then, only barely) and continue playing all the way to the end of the story, but by that point my opinion of the game had soured somewhat and the moments of fun that had been so plentiful instead became intermittent glimmers punctuating numerous frustrations. Read more →

The Surge Review

Souls and Souls-y games aren’t exactly my favorites; I managed to get through Bloodborne and enjoy it overall despite some pretty glaring missteps that the fan base’s love goggles tend to blind them to, but I’ve also never felt the desire to go back to Dark Souls and actually finish it. They’re just incredibly flawed games from a design perspective, lazily rehashing the same tired formula while stubbornly refusing to solve any of the problems that have persisted between entries. The Surge is a game that appeared to borrow the difficult combat from such games while departing from that formula, hence my interest in it, and while it eventually falls into lockstep with other such titles by doing the same basic things Souls games end up doing, there are enough interesting wrinkles and gameplay improvements here to make it worth a playthrough or two. That’s not to say that I have no reservations, though, and there are a few moments so poorly designed and thoroughly irritating that I considered moving on to something else. I suppose that speaks to it being a genuine Souls-y experience considering that was also my reaction to something as beloved as Bloodborne. Read more →

Little Nightmares Review

Out of almost 300 games reviewed for this site, I’ve only failed to finish something like 5-10 of them. Whatever the number currently is, Little Nightmares has ensured that it’s now one more than it used to be; the thought of playing another second of this awkward, predictable tripe is so unbearable that I stopped and resolved to never continue. That’s not to insinuate that this is the worst game I’ve ever played—merely that magical mix of underwhelming and tedious that isn’t appallingly terrible in the way some games manage to be, but pointless enough to get in the back of your head reminding you of the million other things you’d rather be doing. If I had to guess how long I spent playing Little Nightmares before deciding that literally anything else would be a more rewarding use of my time, my gut estimation is that I wasted 40 years fighting against its awkward gameplay and insulting attempts to be so~oo~oo spoo~oo~ooky. In reality, it’s probably closer to an hour and a half, which from what I’ve read is probably about halfway into the game. Or at least around that point. That was far enough to cement my initial impression that was only backed up over time, though: this game fails at everything it tries to do. Read more →

Cosmic Star Heroine Review

As a refresher, I didn’t care for Breath of Death VII or Cthulhu Saves the World despite all the praise I’ve seen both receive, and that’s kept me from delving into the Penny Arcade games that developer Zeboyd Games produced after those first two. Every video about Cosmic Star Heroine intrigued me, though, with it seeming to draw inspiration from best-game-ever Chrono Trigger while putting its own spin on things, and so I bought it with the intention of seeing how it stacks up against some of my favorites in the genre. Its opening few hours proved mildly amusing, if a bit underwhelming given my high expectations, but the game soon after won me over in a big way to the point where countless softlocks, bugs, and typos couldn’t stop me from playing. While the way you get into combat is reminiscent of the encounters in Chrono Trigger, its biggest takeaway from that game is instead rock-solid pacing that avoids wasting your time with nonsense padding, and there are a handful of features taken from other games that are equally welcome. All of this coalesces into something that’s simultaneously a brilliant homage to classic jRPGs and strong entry in the genre in its own right. Read more →

Vikings: Wolves of Midgard Review

Vikings is the first game by Games Farm that I’ve actually played through, but I’ve owned Heretic Kingdoms: The Inquisition (alternatively known as Kult: Heretic Kingdoms) and its sequel, Shadows: Heretic Kingdoms, since early 2015. Shadows is a strange story, having been half-released at launch with the second half being promised to come for free to previous owners at some point later on. As such, I was waiting for the game to release fully so that I could run through both games in the series back to back. Then the game’s publisher went bankrupt. That’d be the end of the story for most games, but Games Farm unexpectedly went to bat for Shadows and got the rights so that they could continue developing it on the side while they also worked on Vikings: Wolves of Midgard. Obviously it’s best for this site and my deep, passionate love of harshly critiquing every game’s flaws to avoid being impressed by developer behavior, but we’re talking about the kind of rare post-launch support that’s previously only been seen from the likes of CD Projekt Red. Needless to say, I wanted this game to be good. Before you consider that a disclaimer that I’m going to play softball with Vikings and ignore its flaws, however, please note that I also wanted Dreamfall Chapters to be good. That didn’t stop me from viciously tearing into it, and Vikings certainly has flaws of its own that I’m similarly unwilling to overlook. Overall, Vikings is an enjoyable game with environments that are destructible enough to be weirdly satisfying and gameplay that’s entertaining enough to carry it (provided you have a gamepad), but it lacks any kind of narrative weight and begins to run out of ideas for varied boss fights toward the end. Read more →

ReCore Review

When deciding what to play next, I weighed a bunch of factors and eventually narrowed the pool of possibilities down to either ReCore or Dragon’s Crown. The latter obviously takes many cues from the legendary Tower of Doom/Shadow Over Mystara, which piqued my interest, but I eventually decided to go through ReCore under the assumption that a newer game would make for a more relevant review. After all, it’s been only 6 months since its release as of this writing. It didn’t hurt any that I’d heard comparisons to everything from MegaMan Legends to Metroid Prime (the latter of which was apparently worked on by some of the same people if the box is to be believed)—stellar company to be in—and there was an adorable-looking robot dog on the cover. I went in knowing almost nothing about ReCore except that critics had given it middling scores for whatever reason. Imagine my surprise when I realized that many of them hadn’t gone far enough in describing the train wreck that this game is, even after 6 months of patching. This is a game that’s middling at its best and soul-crushingly tedious at its worst, a prime example of an open world that exists solely for the sake of having one, not to mention a stunning indictment against the Unity engine when in unskilled hands. Playing through this game eventually begins to feel like actual work, a repetitive slog to find X thing so you can unlock Y thing so that you can collect more contrived Z orbs to unlock a contrived game-y door to actually continue the uninteresting story, which despite being an afterthought nevertheless manages to include internal inconsistencies. When I finally got to the credits and saw how many people worked on this game, the only reaction I was capable of having was astonishment that it took so many people to create so little game of such a low quality. Read more →

© 1886 - 2017 KILLAPENGUIN.com Privacy Policy & Contact